Rotte (lyre)

Rotte
Germanic lyre
Replica of a Rotte, the Sutton Hoo lyre, British Museum
Sutton Hoo Lyre replica, British Museum
String instrument
Other names
Hornbostel–Sachs classification321.21
(Yoke lutes. Composite chordophone in which the strings run in a plane parallel to the sound table, with a yoke (a cross-bar and two arms) that lies lying in the same plane as the sound-table, with a bowl-shaped resonator)
Developeddescendant of the ancient lyre which originated in western Asia; cousin to Asian instruments adopted in Ancient Egypt and Ancient Greece[15]
Related instruments
Plucked lyres: Bowed lyres:
See Rotte (psaltery) for the medieval psaltery, or Rote for the fiddle

Rotte or rotta is a historical name for the Germanic lyre, used in northwestern Europe in the early medieval period (circa 450 A.D.) into the 13th century.[15] The plucked variants declined in the medieval era (spreading less often in manuscripts in the 13th century), while bowed variants have survived into modern times.[15]

Non-Greek or Roman lyres were used in pre-Christian Europe as early as the 6th century B.C. by the Hallstatt culture, by Celtic peoples as early as the 1st century B.C., and by Germanic peoples.[15] They were played in Anglo-Saxon England, and more widely, in Germanic regions of northwestern Europe. Their existence was recorded in the Scandinavian and Old-English story Beowulf, set in pre-Christian times (5th-6th century A.D.) and written or retold by a Christian scribe about 975 A.D.[21][22] The Germanic lyre has been thought to be a descendant of the ancient lyre which originated in western Asia.[15] That same instrument was adopted in Ancient Egypt and also by the Ancient Greeks as the cithara.[15] The rotte is shaped differently than these, however, and discoveries from further east has led to the possibility that it arrived with invading tribes.[23]

The oldest rotte found in England dates possibly before 450 AD and the most recent dates to the 10th century.[24] The Germanic lyre was depicted in manuscript illuminations[25][26][27] and mentioned in Anglo-Saxon literature and poetry (as the hearpe).[3][28][21] Despite this, knowledge of the instrument was largely forgotten, and it was confused with the later medieval harp.[3] Then in the 19th century, two lyres (Oberflacht 84 and 37) were found in cemetery excavations in southwest Germany, giving concrete examples of the Germanic lyre's existence.[29] These discoveries, followed in 1939 by the archaeological excavation at Sutton Hoo and the correct reconstruction of the Sutton Hoo instrument (as a lyre, not a harp) in 1970, brought about the realization that the lyre was "the typical early Germanic stringed instrument."[30][31]

Differing from the lyres of the Mediterranean antiquity, Germanic lyres are characterised by a long, shallow and broadly rectangular shape, with a hollow soundbox curving at the base, and two hollow arms connected across the top by an integrated crossbar or ‘yoke’. From northwestern Europe—particularly from England and Germany—an ever-growing number of wooden lyres have been excavated from warrior graves of the first millennium A.D.

"Evidence of manuscript illustrations and the writings of early theorists suggest that, in Anglo-Saxon and early medieval times...the words hearpe, rotte and cithara were all used to describe the same instrument, or type of instrument."[15] The direction of the spread of the instrument is uncertain. The instrument may have developed in several locations.[15] Other possibilities include an Irish instrument that spread eastwards to Germany, or an instrument of central Europe that spread northwest.[15] Across Europe, lyres were named with etymologically related variations: crwth, cruit, crot (Celtic); rote and crowd (English); rota, rotta, rote, rotte (French, English, German, Provencal).[15]

The instrument disappeared in most of Europe, surviving in Scandinavia, and elsewhere remembered in medieval images and in literature.[3] In 1774 it was featured in a work of religious musical scholarship by Martin Gerbert, who found an illustration in a 12th century A.D. manuscript and labeled the instrument the Cythara Teutonica.[2] After archeological finds, the instrument has been recreated and studied anew, labeled Germanic round-lyre, Anglo-Saxon lyre, Germanic lyre and Viking lyre today.[32][1][33] Historical names include rotta (and variations rota, rotte, rote, Hörpu (Old Norse) and hearpe (Old-English).[3][4][15]

  1. ^ a b Hillberg 2015, pp. 6, 7, 22, 48. "it is important to keep in mind the rather unclear terminology as outlined in this chapter. Especially when including literary sources... it is useful to bear in mind the confusion between lyre and harp....to be more precise, the Germanic round-lyre or rotte will be studied in this thesis...The lyre remains found and included in this study have been unearthed in Germany, France, the Netherlands, Sweden, Norway and England. They all belong to Germanic round-lyres, which were at the time variously termed harp or rotte..."
  2. ^ a b Hortense Panum (1915). Jeffrey Pulver (ed.). The Stringed Instruments Of The Middle Ages (English Edition, revised). pp. 91–101, 114. From its shape this lyre must, to differentiate it from the antique form, be characterized as the round lyre. [note: Specific date this book was published in the early 20th century is not certain. On page 103, the author refers to his original Danish work from 1915 as if that were in the past.]
  3. ^ a b c d e f g Montagu, Jeremy. "Lyres, Harps and Liars". The old English name for the lyre was hearpe, and until the tenth century or so this always meant the lyre, but from then on it meant the harp...Beowulf and his Anglo-Saxon contemporaries were said to play the harp – they didn't, they played the lyre.
  4. ^ a b "Hörpu". Cleasby & Vigfusson Dictionary.
  5. ^ Marcuse, Sibyl (1966). "Harpa". Musical Instruments: A Comprehensive Dictionary. A complete, authoritative encyclopedia of instruments throughout the world. London: Country Life Limited. p. 231. Harpa...believed to have been a generic name for stringed instruments
  6. ^ Marcuse, Sibyl (1966). "Hearpe". Musical Instruments: A Comprehensive Dictionary. A complete, authoritative encyclopedia of instruments throughout the world. London: Country Life Limited. p. 239. Hearpe...harp
  7. ^ a b c d Cite error: The named reference MarcuseChrotta was invoked but never defined (see the help page).
  8. ^ Marcuse, Sibyl (1966). "Cruit". Musical Instruments: A Comprehensive Dictionary. A complete, authoritative encyclopedia of instruments throughout the world. London: Country Life Limited. p. 133.
  9. ^ Buckley, Ann (May 2000). "Music and Musicians in Medieval Irish Society". Early Music. 28 (2). Oxford University Press: 165–171. doi:10.1093/earlyj/XXVIII.2.165. JSTOR 3519019. cruitire, a player of a lyre or a harp...Irish sources provide many names for musical instruments. Primary among them are cruit or crot, and timpan, both metal-strung instruments. In its earliest period a cruit was probably a lyre...The plucked version was sounded with the fingernails, as were the cruit and later Irish harps.
  10. ^ Marcuse, Sibyl (1966). "Crot". Musical Instruments: A Comprehensive Dictionary. A complete, authoritative encyclopedia of instruments throughout the world. London: Country Life Limited. p. 133. OIrish syn. of cruit
  11. ^ Cite error: The named reference crotstringedinstruments was invoked but never defined (see the help page).
  12. ^ Marcuse, Sibyl (1966). "Rota". Musical Instruments: A Comprehensive Dictionary. A complete, authoritative encyclopedia of instruments throughout the world. London: Country Life Limited. p. 133. MEngl
  13. ^ Marcuse, Sibyl (1966). "Chrotta". Musical Instruments: A Comprehensive Dictionary. A complete, authoritative encyclopedia of instruments throughout the world. London: Country Life Limited. p. 99. Chrotta, Lat. equivalent of cruit
  14. ^ Marcuse, Sibyl (1966). "Hruozza". Musical Instruments: A Comprehensive Dictionary. A complete, authoritative encyclopedia of instruments throughout the world. London: Country Life Limited. p. 248.
  15. ^ a b c d e f g h i j k l m n o Myrtle Bruce-Mitford (2002). "Rotte [round lyre, Germanic lyre](ii)". Rotte (ii). Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.23943. ISBN 978-1-56159-263-0. one of the most widely used plucked instruments in north-western Europe from pre-Christian times to medieval times
  16. ^ Marcuse, Sibyl (1966). "Rota". Musical Instruments: A Comprehensive Dictionary. A complete, authoritative encyclopedia of instruments throughout the world. London: Country Life Limited. p. 447.
  17. ^ Marcuse, Sibyl (1966). "Rotta". Musical Instruments: A Comprehensive Dictionary. A complete, authoritative encyclopedia of instruments throughout the world. London: Country Life Limited. p. 447.
  18. ^ Marcuse, Sibyl (1966). "Rote". Musical Instruments: A Comprehensive Dictionary. A complete, authoritative encyclopedia of instruments throughout the world. London: Country Life Limited. p. 447. OFr. and MEngl. form of the word cruit.
  19. ^ Marcuse, Sibyl (1966). "Rotte". Musical Instruments: A Comprehensive Dictionary. A complete, authoritative encyclopedia of instruments throughout the world. London: Country Life Limited. p. 447.
  20. ^ Marcuse, Sibyl (1966). "Sambuca 2". Musical Instruments: A Comprehensive Dictionary. A complete, authoritative encyclopedia of instruments throughout the world. London: Country Life Limited. p. 452. in Med. Europe it denoted a chordophone...glossed in the 10th c. as hruozza, the cruit
  21. ^ a b "Beowulf". heorot.dk. Retrieved 2 September 2020. [note: mentioned in Beowulf, lines 89, 2107, 2262, 2458, 3023]
  22. ^ Stanley 1981, pp. 9–22.
  23. ^ Kolltveit 2022, p. 208
  24. ^ Cite error: The named reference hillberg10-22 was invoked but never defined (see the help page).
  25. ^ Vespasian Psalter
  26. ^ Utrechts Psalter
  27. ^ Durham Cacciodorus
  28. ^ Slocum, Jonathan; Lehmann, Winfred P. "Old English Online Lesson 2". þæt hīe ealle sceolden þurh endebyrdnesse be hearpan singan — þonne hē geseah þā hearpan him nēalǣcan, þonne ārās hē for scome from þǣm symble, and hām ēode tō his hūse. [translation from Old English, Caedmon's Hymn: they all in succession should sing to the harp — when he saw the harp draw near to him, he arose from the feast out of shame]
  29. ^ Hillberg 2015, pp. 11, 14
  30. ^ Bruce-Mitford & Bruce-Mitford 1970, p. 10
  31. ^ Lawson 2005, p. 102. "Based on archaeological finds from Continental Europe, in particular from near-contemporary graves at Cologne and at Oberflacht, Württemberg, the Sutton Hoo harp now became a lyre. This caused quite a stir, not least amongst scholars of Old English literature. Many have still – to this day – not quite abandoned thoughts of harps and harping."
  32. ^ Boenig 1996: "Shrill was the harp, loud its din these are words hard to justify with the sound of any medieval plucked musical instrument, particularly the intimate sound of the Anglo-Saxon lyre...The round Germanic lyre is well attested in early Anglo-Saxon art"
  33. ^ Lawergren, Bo (Spring 1985). "Review: The Sounds of Prehistoric Scandinavia by Cajsa Lund: Drevneishii muzikal'nii kompleks iz kostei mamonta (Ancient Musical Ensemble of Mammoth Bones.) by Sergei N. Bibikov and S. N. Bibikov: Musique de la Grèce antique by Gregorio Paniagua". Ethnomusicology. 29 (2). University of Illinois Press on behalf of Society for Ethnomusicology. By contrast, the Viking lyre is played with exemplary conviction and scholarly awareness by Graeme Lawson on the first recording reviewed here.

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